La psicologia e le arti hanno questo in comune: entrambe coprono l'intero ambito della mente umana (Rudolf Arnheim)
Premise
This site was conceived, created and developed by Alberto Argenton in 2014 and in early 2015, with the aims described below. On 23 May 2015, after a brief but unrelenting illness, Alberto Argenton passed away. While keeping unchanged the site architecture and the current contents, we intend to update it, together with Tamara Prest, adding new information and publications related to the scientific and artistic activity of Alberto Argenton and to his memory.
Laura Messina Argenton
The creation of this site is the result of my intention to make available some of the results of my scientific and ‘artistic’ research. The site was came into being at the time of my leaving the world of work – the University – for reasons of age, and it aims to maintain my presence – in some ways, to extend it – within the scientific community or outside it. At the same time, it is intended to be a point of reference for the circulation of knowledge in the sector in which for many years I cultivated my interests of study, research and teaching: the Psychology of art.
The section is divided into: News and Notes, Psychology of art, Criticism and Gallery.
News and Notes is to inform visitors of events and recent publications, but also to insert annotations on the subject.
Psychology of art presents the English translation of some papers published in Italian and papers published only in English pertaining to the Psychology of art or related to this subject.
Criticism collects a brief curriculum of my graphic-pictorial activity and some critical essays about it.
Gallery contains a repertoire of images reproducing my graphics and paintings.
Below you can find Ian Verstegen’s book review of Arte e espressione. Studi e ricerche di psicologia dell’arte, by Alberto Argenton, in Journal of Aesthetics and Art Criticism, 68 (2010): 196-197. Ian Verstegen’s book review
The term ‘elements’ indicates the basic components of the physical world and the principles that oversee the functioning of the cosmos, but also the symbols of orientation in space and time with their related...
Under the collective title The crazy line a considerable number of watercolor and oil works are grouped. I realized them in the 80s and below some specimens are shown. I also gave the same...
In questa Galleria sono riportate opere eseguite agli inizi della mia attività pittorica sia in terra friulana, in particolare, a Cividale, dove nella seconda metà degli anni ’50 frequentavo i numerosi pittori che popolavano questa cittadina sia in terra africana, a Mogadiscio (Somalia), dove nella prima metà degli anni ’60 ho trascorso la mia tarda adolescenza.
This gallery includes examples of works belonging to several variously named series but all of which relate to the narrative dimension that characterizes the artistic production in general, whichever language or medium – music,...
Quadro ispirato a un’opera di un grande pittore, Paolo Uccello (1397 ca. – 1475), intitolata La battaglia di San Romano
Open until 26 February 2023 in the Palazzo Monte di Pietà in Padua, the exhibition “L’occhio in gioco” (Trick of the Eye) explores the boundaries between art and science, documenting them with important artistic works and scientific studies on vision.
The exhibition is accompanied by two volumes, which bear the same title and which, analogously to the two parts of the exhibition, are dedicated, one, to “Perception, impressions and illusions in art”, curated by L. M. Barbero, and the other
The exhibition “L’occhio in gioco” (Trick of the Eye), open until 26 February 2023 in the Palazzo Monte di Pietà, Padua, is curated, in its first, historical part of a historical nature, by Luca Massimo Barbero and, in its second part, focused on the Paduan reality, by Guido Bartorelli, Giovanni Galfano, Andrea Bobbio and Massimo Grassi.
The exhibition is organised by themes and documents different perceptual-representational devices used by the artists in their pictorial research, relating them to scientific research on vision
It is with great pleasure and pride that I would like to announce a piece of news that concerns me – namely the publication of a book. The book was edited by two colleagues...
Rudolf Arnheim’s book review of Arte e cognizione, by Alberto Argenton (1997), The British Journal of Aesthetics, 37, 1, 87-88
